erin n. bush

historian of u.s. crime & punishment. digital research methods.

Tag: sotl

Putting Theory in Action in the Classroom

erinbush

 

Women on Trial: Exploring the History of American Women Through Criminal Trials

[cp_dropcaps]F[/cp_dropcaps]or my final project for Dr. Kelly’s Teaching History in the Digital Age course, I created a 200-300 level course women’s history in America, which incorporates three major theoretical contributions from the Scholarship of Teaching and Learning:

  1. “Uncoverage” and using consistency and patterns in assignments by Lendol Calder,
  2. Historical thinking by Sam Wineburg, and
  3. Kelly’s own thoughts on teaching using digital technology.

The Topic

Using the periodization put forth by Linda Kerber, et al, in their textbook Women’s America: Refocusing the Past,  I divided the history of America into four major sections for this course: ((Gerda Lerner suggested the writing of women’s history can be arranged in these four stages of development, each stage more complex and sophisticated than the last))

  • 1600-1820: Early America –> The Salem Witch Trials
  • 1820-1880: The Many Frontiers of Industrializing America –> The Trial of Laura D. Fair
  • 1880-1945: Creating the State in an Industrialized Nation –> The Trial and Execution of Virginia Christian
  • 1945-2010: Struggles Against Injustice –> The Trial of Cheryl Crane

Within each major section, I chose one sensational trial involving at least one woman. The goal is to then “read out” context and content from each of these trials to explore changes in roles of women and anxieties about those changes. I hope to examine women’s public and private experiences in American society, and explore the social and cultural anxieties of American life by using various primary and secondary source materials about the trials and the surrounding topics.

My logic was to begin the course with a very well-documented set of trials–the Salem Witch Trials–to help students understand the bounds of trial evidence and the possibilities for good scholarly writing. Each subsequent trial is considerably less well-documented. So by the time we get to Cheryl Crane, students must use their new skills to help them make sense of the scarce resources that are actually available. Moreover, my hope is that they will have learned how to judge online resources as scholarly or not. (The Crane case is notoriously and comfortably enmeshed in the realm of Hollywood Reporter, People Magazine, and TruTV.)

The Underlying Theories

I was drawn to Lendol Calder’s writings on “Uncoverage,” specifically his argument that in order to teach more, you need to teach less content. By choosing only four trials, I was forced to make hard choices about the content to cover from each. The brutal reality is that I could teach an entire course on any one of these trials. In order to cover them all, I made hard choices about which anxieties or beliefs to cover from each. For example, while I cover lynching and Progressive Era anti-lynching campaigns in the Virginia Christian case, I do not adequately cover the National Association of Colored Women or their involvement in (unsuccessfully) getting Christian’s sentence commuted. However, my hope is that by covering less, I’m asking my students to think more and practice doing the work of an actual historian.

Calder structures his course with repetition of activities and a clear pattern of assignments to help provide a solid framework for his students. I believe this to be incredibly powerful for the students, so I adapted it to fit my course content. You’ll see that the main content of my course covers four modules, each lasting three weeks. The first week in each is devoted to analyzing evidence. I begin with evidence to help unsettle students in the notion that they will not start with the complete picture of the “facts” of the case–that is something they will have to earn by reading and uncovering it as they go. The second week provides some context so that they can understand the issues raised by the evidence. The third week covers the scholarship on the topics we covered in the first two weeks.

Sam Wineburg has written extensively on the skills that constitute Historical Thinking. Both he and Calder specifically mention six skills that make up historical thinking, and I would argue good critical thinking in general: questioning, connecting, sourcing, making inferences, considering alternate perspectives, and recognizing limits to one’s knowledge. My overarching goal with the course is to teach these skills while teaching students to understand specific elements of women’s history in America.

Lastly, the course has a heavy digital element. As I was creating the course, I bounced between two extremes in using digital tools; I either expected  the students to just know how to create history with digital technology or I turned the course into a digital methods class. Thus, I tried to strike a balance by asking students to do both digital and analog assignments, while giving them the option to do a digital or multi-media project for the final, if they are so inclined. The bulk of the work in the course is dedicated to finding and/or using online primary sources. In fact, I’m proud to report that ALL of the primary source materials used in this class are available online. Mills Kelly argues that the future of teaching history lies in the “making, marking, mining, and mashing” that students do online already. I tried to provide some structure to help students make sense of online documents while also teaching them how to discern good from bad information online. For example, two of the assignments deal specifically with Wikipedia entries on the trials. In one, I ask students to evaluate the entry based on the information covered in the course and in another, I ask students how they’d edit an entry.

Then again, I could do an entire course on Wikipedia and editing entries. Another time, another course perhaps.

Scholarly Site Review: US History Scene

erinbush

This post is part of an assignment for GMU’s History course, Teaching History in the Digital Age. Last week, I reviewed two sites produced by RRCHNM.

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This week, Dr. Kelly asked us to review a digital project outside the Roy Rosenzweig Center for History and New Media. For this assignment, I chose US History Scene, a new site (copyright 2013) touting free digital resources “hand selected by historians” geared toward educators, students, and history enthusiasts. This gorgeous and modern site (which has a pronounced blog feel) is produced by US History Scene, a multimedia and education publishing company.

The site successfully incorporates content curated by a variety of historians from major universities in the US (not all contributors include full bios). Functionally, the site presents a collection of authoritative and scholarly essays spanning a multitude of 17th to 20th century topics in American history. Some of these essays make clear historical arguments, most read as written lectures, which incorporate both primary source materials (images, mostly) and secondary literature (historiography and video lectures by historians and authors).  The more well-rounded essays include links to other resources, such as teaching aids for educators and historical questions on topic for further study.

It’s a new site, so there are sections with very little content. It looks as if they plan to create a more robust “study guides” section, which as of this review houses information about how to pass an AP test. Additionally, they’ve curated a variety of reading lists on topics in US history and included links to online lectures by prominent historians at major universities. For example, they include Lynn Hunt’s Western Civ lectures from UCLA.

From a pedagogical perspective, while this site offers robust topical material, it functions largely as a secondary source for students. Primary sources may be linked from individual articles, but as they are presented in essay format, students are not given the opportunity to question, evaluate, or analyze these materials for themselves. Wrapped as they are in another’s historical argument, the primary sources are presented as already-interpreted for the reader. Additionally, video content, most of which is embedded from YouTube, is not presented in a way that would allow students to question potential motives or biases of the creator. As is true of all embedded content from YouTube, students have to click off the site to see who uploaded the video or its origin. In either case, the interpretation is done and the content is being presented to students in a factual way, students are not overtly being asked to “think historically” about the content presented to them.

Helpful content for educators is present for some topics, but they have to dig for it. The prominent position of “About Us” and “Contact Us” in the primary navigation bar would be better suited for special collections of resources for educators. The primary mode of organization for all the content on the site is around the topical areas. Educators must come to the site and look up a topic first, then hope some teaching aids are included as part of the essay. Given the high quality of the scholarship here, some articles on how students learn or process historical information would be welcome additions. (At the very least curated content on that topic from elsewhere would be helpful for teachers.)

Fundamentally, US History Scene is a valuable resource. Complex issues are presented as such and more than one point of view is often told. Still, because students have no flexibility to choose how they explore these complex issues, nor are they asked to source, corroborate, or contextualize these topics on their own, the site should be considered as an alternative secondary source. US History Scene is a very new site and it remains to be seen how it will evolve, especially as a resource for educators. Given the quality of the content that exists there, I do hope they add more opportunities for students to practice historical thinking on their own, and give teachers the resources to help them do so.